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Philip Pullman

Philip Pullman

I've had the good fortune to collaborate on stage a couple of times with author Philip Pullman (His Dark Materials Trilogy, The Good Man Jesus and the Scoundrel Christ, Lyra's Oxford, etc).  He and I first met to discuss Sum at Queen Elizabeth Hall in November of 2009.  Miranda Richardson and Jarvis Cocker gave live readings of Sum stories at the event, and pre-recorded readings of stories were provided by Stephen Fry and Clarke Peters.

In May 2010, Philip and I were on stage together at the Charleston Festival of Literature in the south of England. The event was moderated by author and documentary filmmaker Bill Nicholson. See a review of the event here.  

I can't say enough about Philip: he is smart, generous, terrifically talented, and a pleasure to collaborate with.

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From the Blog

  • Eagleman and Eno perform Sum
    Eagleman and Eno perform Sum

    Brian Eno and I have twice performed a musical version of Sum, once at the Sydney Opera House, and once at the Brighton Dome. Learn more.

  • Q & A in New Scientist magazine
    Q & A in New Scientist magazine

    Read a Q&A with David in New Scientist to find out his ideas and advice to young scientists.

  • A new map of the human brain
    A new map of the human brain

    New paper in Nature describes the most highly detailed map of the human cortex so far.

  • Can we produce our brains on other media?
    Can we produce our brains on other media?

    Can we reproduce our brains on other media (say, on computers, or out of beer cans and tennis balls)?

In other news...

Emily Blunt reads for the Sum audio book

Hear the actress Emily Blunt (Young Victoria, Devil Wears Prada) read "The Cast" from Sum. She is one of the dozens of terrific actors who read for the audio book.

Book of the Week

Sum was selected as Book of the Week by both The Guardian newspaper and The Week newsmagazine.

SUM at the Royal Opera House

ROHSUM has been turned into an opera at the Royal Opera House in London (Composer: Max Richter, Director: Wayne McGregor). The London Evening Standard hails the opera as "immersive, meditative and sweetly fascinating". Read about the background of the collaboration in Wired.

 

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